Categorie: Geen categorie

Le Ciel Bleu was painted in anticipation of a journey to the South of France. The artwork began with the colours of the sky and the Azure waters, meeting the movement of both of them.

As the journey unfolded, more colours found their way into the work: the warm tones of the grain fields, the soft purples of lavender, the deep Azure of the water, and the delicate tones of sun-warmed sand. I was longing to encounter these soft, sunlit colours again.

The artwork can be experienced with two different background colours, or without a background, allowing the work to remain as pure and open as possible. Choosing a background introduces another layer to the experience, creating an interplay of colour, depth, and light. The artwork therefore changes subtly depending on how it is placed, inviting the viewer to discover a different atmosphere in each version, to become involved in the ever changing interplay.

June 2026. Material: Neopastel on satin glass, Background: transluscent acrylate. Size: 77,5×46,5×12,5 cm

Equality, on a higher level. This artwork explores a form of equality between people on Earth, one we scarcely know. It is quite rare for people to truly act from a place of equality. What would the world look like if we did? It is a powerful, deeply philosophical work. This painting is part of the ‘Interconnected’ series, which examines the invisible natural forces that link everything on Earth. A view of the world from a broader perspective…

This artwork is available with two different background layer colours (acrylate). A deeper moss green, which gives the painting a certain warmth, while the emerald green creates a softer atmosphere and a completely different interplay between reflection and light. You can use the backgrounds or choose not to, depending on the space they will join.

March 2026. Material: Neopastel on satin glass Background layer: acrylate . Size 50x34x10 cm

Mirroring Image explores the role of viewpoint when an object is floating. If it is detached from gravity, how important is our perspective then? When an artwork contains multiple perspectives at once, its line begins to shift. Rather than following a single viewpoint, it responds to several orientations simultaneously. What if there would be a mirror, where would it be? Do we see different forms meeting each other, each belonging to another perspective? Or does the image still resolve into one continuous line unfolding through multiple points of view?

You can turn the artwork to view it from different perspectives.

February 2026. Material: Neopastel on satin glass. Size: 63,5w x 64h x 10d cm.

Motion In The Universe II explores the collaboration between two independent lines meeting one another from multiple perspectives. They are not drawn toghether by the force of magnetism, but exist freely; Liberated shapes interacting through movement alone.

The forms suggest a strong sense of motion. Each line carries equal importance and together they create a powerful implied shape that emerges through their relationship of equality, rather than dominance.

January 2026. Material: Neopastel on satinglass. Size: 70w x 51h x 10d

Synergy; Floating Like Water explores the collaboration between two interwoven lines. They enter into a tension that resembles a dance of water; fluid, floating and as transparant as possible. As you follow their movement, it becomes clear that they are spatial and more than just lines. They exist in motion.

December 2025. Material: Neopastel on satinglass. Size: 55,5w x 31h x7,5d cm.